The Tungkot Tunggal Panaluan Batak Statue As A Source Of Inspiration For The Creation Of Painting Artworks

Joel Manalu, Nelson Tarigan

Abstract


The author's fascination inspired the creation of this work with the Tungkot Tunggal Panaluan Batak statue, a significant element of Batak culture, notable for its shape, history, and function. This statue portrays seven individuals supporting each other, diminishing in size, set against diverse backgrounds. The research seeks to visualize the form, history, and applicability of the Tungkot Tunggal Panaluan statue from the distant past to the present day, manifesting as paintings accompanied by descriptions of their meanings and the techniques employed in their creation. The author produced 12 paintings in this study using acrylic and oil paints on canvas. These artworks feature human figures and primitive Batak figurative statues, characterized by stylized forms, set against a simple village backdrop that serves as a historical context for Tungkot Tunggal Panaluan. Historically, this statue was employed by leaders in traditional Batak community events. The author combined three techniques—plaque, chiaroscuro, and bravura—to infuse the paintings with dynamic impressions, contrasts, and vitality. Notably, the chiaroscuro technique was employed to balance dark and light, utilizing paint colors derived from raw umber and yellow ocher combined with primary colors to evoke a vintage atmosphere. The outcomes of this research comprise 12 paintings, each titled uniquely, reflecting the author's interpretation of the Tungkot Tunggal Panaluan statue in the realm of fine art. These works offer a profound insight into the statue's form, history, and function, contributing significantly to the author's impact on the evolution of painting.


Keywords


sculpture; tungkot tunggal panaluan; batak; painting;

Full Text:

PDF

References


A. Fiyonta, (2018). The Dream of a Happy Life as a Theme in Creating Works of Painting: Imagination Journal, 12 (1), 37–46.

https://doi.org/10.15294/imajinasi.v12i1.14355

Achim Sibeth and Bruce W. Carpenter, (2009). Batak Sculpture, Singapore: SC Graphic Singapore.

IW Setem (2021). Menyan Segara Madu: Glorifying the Unda River Watershed in the Creation of Painting: SEGARA WI DYA, 9 (2), 78–86.

https://doi.org/10.31091/sw.v9i2.1738

S. I Wayan (2020). Hindu Religious Teachings as Inspiration for the Creation of Traditional Balinese Painting Works: Gorga: Fine Arts Journal, 9(1), 159–165.

https://doi.org/10.24114/gr.v9i1.18492

Saragi D. (2016). Primitive Batak Sculpture: Analysis According to Susanne K. Langer's Art Theory: 80-82

http://digilib.unimed.ac.id/id/eprint/42

Sianturi, D. Gorga Boraspati in Batak Culture Toba as an Idea for Creating Painting Works. GESTUS JOURNAL: ART CREATION AND RESEARCH, 2 (2), 62–71.

https://doi.org/10.24114/gsts.v2i2.40506

Susanto Mikke, 2002, Fine Diction – Collection of Fine Arts Terms , Yogyakarta: Kanisius.

Wiranto, AT (2018). Painting, Concepts and Methods, Surabaya: CV.Zifatama Jawara.




DOI: http://dx.doi.org/10.26887/vartjofa.v3i1.3939

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

This journal Indexed by:

    

V-Art: Journal of Fine Art 

E-ISSN 2809-2589 | DOI: 10.26887/vartjofa.v3i1 
Website: https://journal.isi-padangpanjang.ac.id/index.php/viart/index
Email: viartjournal@gmail.com | Support Contact Email: thegar.risky@isi-padangpanjang.ac.id
Editor in Chief: Rajudin, S.Pd., M.Sn| Managing Editor: Eva Yanti, S.Ds., M.Si Thegar Risky.S.Kom 
Publisher: Lembaga Penelitian Pengabdian Kepada Masyarakat  (LPPM) ISI Padangpanjang
Jalan Bahder Johan, Kota Padangpanjang, Sumatera Barat, Indonesia 27128 | Phone: (0752) 82077 | Fax: (0752) 82803



V-Art: Journal of Fine Art © 2021 by LPPM Institut Seni Indonesia Padangpanjang is licensed under Attribution-NonCommercial 4.0 International