STRUKTUR PERTUNJUKAN TARI PIRIANG BADANTIANG SANGGAR IJUAK SAPILIN DALAM PESTA PERKAWINAN DI KABUPATEN LIMA PULUH KOTA

Abstract

This study aims to describe and analyze the structure of the Piriang Badantiang Dance Performance by the Ijuak Sapilin Studio during a wedding ceremony in Lima Puluh Kota Regency. This study uses a qualitative descriptive analytical method. The research instrument was the researcher herself, assisted by supporting instruments such as stationery and a camera. The data used were primary and secondary data. Data collection techniques included literature review, observation, interviews, and documentation. Data analysis techniques included data collection, data reduction and classification, data description, and drawing conclusions.

The research location was at the Ijuak Sapilin Studio, Jorong Tambun Ijuak, Nagari Koto Tangah Simalanggang, Payakumbuh District, Lima Puluh Kota Regency. The results showed that the structure of the Piriang Badantiang Dance performance consists of three parts: the opening movement, respectful movements, silat and tapuak galembong movements, piriang tigo movements, malenggang movements, pasambahan padusi movements, ma anta kawa movements, maangkek piriang movements, swinging movements, male entrance movements, and transition movements. The core part includes manyabik movements, malenggok movements, rice harvesting movements, harvest party movements, stepping and turning movements, sakato movements with illustrations, straight stepping movements, and zigzag movements. The closing part consists of ba tumpang steps, sukku 8 movements, duduak tagak samo randah movements, sauak babaleh movements, and pijak kaco mancak badantiang movements which become the climax of the performance. This dance is performed by 6 dancers (3 women and 3 men) with a duration of about 12 minutes. The costumes used are traditional Minangkabau clothes with the main properties being plates and plate shards. Musical accompaniment uses traditional musical instruments such as talempong, gandang, tasa, bansi, pupuik sarunai, tambourine, and accordion. The floor patterns used include straight, triangular, circular, and vertical patterns. This dance is performed in a series of alek events or banquets at wedding parties (baralek gadang) as a form of entertainment that conveys cultural values, the spirit of mutual cooperation, and the beauty of Minangkabau movement.