Mise-En-Scene Sebagai Pendukung Unsur Dramatik Film Penyalin Cahaya

Husnil Fajri, Dynia Fitri, Wahyu Nova Riski

Abstract


This research aims to reveal and explore the role of mise-en-scene contained in each of the dramatic elements of the film. Supporting dramatic elements (conflict, suspense, curiosity and surprise) contained in the film, seen from the aspects of mise-en-scene, namely setting, make up & costume, lighting and staging: movement & performance.This research employs a qualitative research method with a descriptive approach. The research object chosen is the Photocopier (2021) directed by Wregas Bhanuteja. The data in this study were obtained from observations, interviews and documentation of the film. The theory used in analyzing mise-en-scene is the mise-en-scene theory by David Bordwell, Kristin Thompson & Jeff Smith based on the theory of dramatic elements by Elizabeth Lutters.The results of this study indicate that there are 25 scenes containing dramatic elements based on the level of significance of the presence of mise-en-scene in supporting dramatic elements. In this film, mise-en-scene plays a role in supporting dramatic element (conflict, suspense, curiosity, and surprise) so that the audience can feel it through settings, costumes, lighting and staging arrangements : movement & performance. While the make-up applied to the film does not have a major influence on each of the film's dramatic elements.


Keywords


Mise-En-Scene, Unsur Dramatik, Film Penyalin Cahaya

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References


Buku:

Armantono, RB dan Suryana Paramita. 2013. Skenario : Teknik Penulisan Struktur Cerita Film. Jakarta:Fakultas Film dan Televisi IKJ.

Bordwell, David, Kristin Thompson dan Jeff Smith .2020. Film Art : An Introduction 12th Edition. New York: McGraw-Hill Education.

J. Moleong, Lexy. 2017. Metodologi Penelitian Kualitatif. Bandung: PT Remaja Rosdakarya.

Lutters, Elizabeth. 2010. Kunci Sukses Menulis Skenario. Jakarta:Grasindo.

Pratista, Himawan. 2017. Memahami Film. Yogyakarta:Montase Press.

Laporan Penelitian/Jurnal Ilmiah:

Aningtyas, Nurlaily Dicha. 2019. “Mise-En-Scene dalam Membangun Adegan Dramatik pada Film Grave Torture Karya Joko Anwar” Skripsi. Jember : Universitas Jember.

Fidella, Dhea. 2021. “Analisis Mise-en-scene Dalam Membangun Dramatik Pada Film Dua Garis Biru Sutradara Gina S. Noer” Skripsi. Padang Panjang : Institut Seni Indonesia Padang Panjang.

Ramadhani, Jazmin Sheila. 2020. “Analisis Mise-en-scene sebagai Penggambaran Konflik Dalam Film 27 Steps Of May”. Skripsi. Tangerang: Universitas Multimedia Nusantara.

Sathotho, Surya Farid, dkk. 2020. “Mise En Scene Film Nyai Karya Garin Nugroho.” Jurnal Kajian Sastra, Teater dan Sinema.vol 17, No.2. Yogyakarta : ISI Yogyakarta.

Sya’dian, Triadi dan Evi Oktiana. Mei 2021. “Analisis Mise-en-scene Pada Film Parasite”. Jurnal PROPORSI vol 6. No.2. Medan : Universitas Potensi Utama.

Internet:

https://www.rekata.co/penyalin-cahaya, diakses 3 September 2022.

https://mubi.com/lists/aspects-of-mise-en-scene-film-art-an-introduction-by-david-bordwell-and-kristin-thompson, diakses 11 Desember 2022.

https://www.festivalfilm.id/, diakses 25 Agustus 2022.

Narasumber:

Dita Gambiro, 36 tahun, art director & production designer, Jakarta.




DOI: http://dx.doi.org/10.26887/cl.v1i01.3453

DOI (PDF): http://dx.doi.org/10.26887/cl.v1i01.3453.g1308

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Cinelook: Journal of Film, Television, and New Media 

Website: https://journal.isi-padangpanjang.ac.id/index.php/JFTNM/index
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Editor in Chief: Wahyu Nova Riski, S.Sn., MGMC | Managing Editor: Hery Sasongko, S.Sn., M.Sn
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