Komposisi Musik Semarak Sipai Bersumber Dari Beruji Dol Dalam Upacara Tabot Di Kota Bengkulu

Sandy Purwanda, desmawardi desmawardi, Asep Saepul Haris

Abstract


Music is a means of expressing the soul to communicate and interact between living creatures. Through music we can express various ideas with various colors of sound produced by any object that can accommodate the idea itself. Sounds and voices are arranged well so that a musical work is created as a harbor for ideas that are full of messages and meaning. This work begins with research on the Bruji Dol performance and from the results of the analysis, a conclusion is drawn to take one part, namely the song Girik" which is contained in the Bruji Dol performance in the Tabot ceremony in the city of Bengkulu. Beruji dol is a depiction of the spirit of war carried out by two groups, namely Tabot Bangsal and Tabot Imam. Beruji dol has an interesting musical case, namely that there is a game concept that is "freely bound" in the tasa game of the Tamatam repertoire called "Girik". To create the musical composition "Semarak Sipai" it was worked on using the Analytical Descriptive method using a Re-interpretation of Tradition approach. Through the creation of the musical composition "Semarak Sipai", the creator tried to present several forms of novelty in various aspects of the work in accordance with the concept offered. The Tradition Re-interpretation approach is used to share musical experiences as a contribution to the development of the musical composition itself.

Keywords


Beruji Dol, Tamatam, Girik, Semarak Sipai, Re-interpretation of Tradition

Full Text:

PDF

References


BJ. Karneli dkk, 1991/1992. Upacara Tabot di Kotamadya Bengkulu. Direktorat Sejarah dan Nilai TradisionalDepartemen Pendidikan dan Kebudayaan.

Remi juliant Fernandez, 2010. “Sentak Irama Kemenangan”. Laporan Karya Seni. ISI Padangpanjang. Padangpanjang

Riyan Israq Hari Saputra, 2017. “Tabot Bejogi” Laporan Karya Seni. ISI Padangpanjang. Padangpanjang.

Supanggah, Rahayu. 2007. Garap Bothekan Karawitan II. Program Pascasarjana bekerja sama dengan ISI press Surakarta. Surakarta.

Syiafril, 2012. Tabot Kerbala Bencoolen dari Punjab Syimbol Melawan Kebiadaban’

Syiafril, 2013. Buku Putih Tabut Bencoolen.

Supanggah, Rahayu. 2005. Garap: Salah Satu Konsep Pendekatan / Kajian Musik Nusantara Dalam Diktat Pengantar Program Perkuliahan Program Pasca Sarjana ISI SurakartaSuka Harjana, 2003. Corat- coret MUSIKKONTEMPORER Dulu dan Kini.

Waridi, 2008. Tiga Empu Karawitan.

Yolanda Reliansya, 2018. “NGANDUN”.Laporan Karya Seni. ISI Padangpanjang. Padang panjang

DAFTAR INFORMAN

Ajalon Tarmizi S.Sn (50 tahun), guru, tokoh adat dan seni, desa kebun kenanga. Kota Bengkulu

Syamsul bahri (46 tahun), guru, seniman tradisi, desa bajak, Kota Bengkulu

Rahmad hidayat (28 tahun), seniman tradisi, pemain tassa, desa kebun beler, Kota Bengkulu

Henmay (45 tahun ), seniman tradisi, ketua keluarga tabot may, desa kebun beler, Kota Bengkulu

Muhammad Yusuf (65 tahun) penggiat seni budaya, desa kebun beler, Kota Bengkulu




DOI: http://dx.doi.org/10.26887/jmen.v4i1.4223

Refbacks

  • There are currently no refbacks.


Visitors

Flag Counter