https://rootlocalhost.net/ https://ghostexploiter.org/ https://rp8888pro.id/ https://rp8888gpro.id/ https://tawatoto88.id/ https://tawatoto.id/ https://kompetensi.fkip.uniba-bpn.ac.id/pages/permata805 permata805 https://spinwd805.com/ https://spinwd805.net/ https://tawa-maxwin.online/ http://kepk.fkm.unand.ac.id/?pukichan=olxtoto https://dinsos.tojounauna.go.id/media/lib/?pemerintah=ratutogel https://dinsos.tojounauna.go.id/media/lib/?pemerintah=tokek55 https://dinsos.tojounauna.go.id/media/lib/?pemerintah=kingdomtoto https://jurnal.unej.ac.id/ https://barrentgroup.com/ https://administrasi.uts.ac.id/?kaniniacibay=permata805 https://e-journal.sttberitahidup.ac.id/pages/permata805 https://dinsos.tojounauna.go.id/sto2/ https://dinsos.tojounauna.go.id/scatter https://elearning.ikifa.ac.id/filter/amd/ slot mahjong ways slot mahjong ways slot mahjong ways slot wild bandito slot gacor slot gacor slot gacor slot scatter hitam slot olympus https://journal.isi-padangpanjang.ac.id/index.php/OS/issue/feed Offscreen 2025-02-20T10:35:55+07:00 HERY SASONGKO prodi.televisi2@gmail.com Open Journal Systems <p><a href="/index.php/OS/index" target="_blank"><strong><span>Offscreen: Film and Television Journal</span></strong></a><span><span> (E-ISSN: </span><strong><span><a href="https://issn.brin.go.id/terbit/detail/20220613021208427" target="_blank">2830-5272</a></span></strong><span>) is an academic journal published by Department of Film and Television, Faculty of Visual Art and Design , Indonesian Institute of Art Padangpanjang twice a year (June and December). This journal publishes original articles with focuses on the results of studies in the field of Film and Television.</span></span></p><p><br />Any submitted paper to <strong>Offscreen: Film and Television Journal </strong>will be reviewed by reviewers. Review process employs Double-blind Review that the reviewer does not know the identity of the author, and the author does not know the identity of the reviewers.<br /><br /><strong>Offscreen: Film and Television Journal</strong> has become a CrossRef Member. Therefore, all articles published by this journal will have unique DOI number. This Journal is indexed by:<strong> <a href="https://scholar.google.com/citations?user=G1_36pQAAAAJ&amp;hl=en&amp;authuser=3" target="_blank">Googlescholar</a>, <a href="https://garuda.kemdikbud.go.id/journal/view/25936" target="_blank">Garuda</a>, <a href="https://www.crossref.org/" target="_blank">Crossref</a>,  <a href="https://onesearch.id/" target="_blank">Indonesia OneSearch</a>, <a href="https://www.base-search.net/" target="_blank">BASE</a>, <a href="https://portal.issn.org/resource/ISSN/2830-5272">ROAD</a>, <a href="https://core.ac.uk/" target="_blank">CORE</a>, <a href="https://app.dimensions.ai/discover/publication" target="_blank">Dimensions</a>, <a href="http://olddrji.lbp.world/Default.aspx" target="_blank">DRJI </a></strong>and <strong><a href="https://journals.indexcopernicus.com/search/details?id=125836" target="_blank">Index Copernicus International</a></strong></p><p> </p><p> <span style="font-size: 10px;"> </span></p> https://journal.isi-padangpanjang.ac.id/index.php/OS/article/view/4949 PERAN PROGRAM CERDAS QUR’AN DALAM MENINGKATKAN KEBERADAAN PADANG TV 2024-12-31T03:16:39+07:00 Reski Wahyudi wahyudiresky36@gmail.com Abdul Rahman abdul@gmail.com Eriswan Eriswan w@gmail.com Padang TV is one of the local televisions in West Sumatra that has been able to maintain its existence for more than fifteen years. Various challenges are faced by local television in facing competition with local television to national television. Various strategies are carried out to improve its existence, one of which is producing the Cerdas Qur'an program which is produced in the midst of the community. The purpose of this research is to find out how the role of the Cerdas Qur'an program in increasing the existence of Padang TV. The theory used in this research is the strategy of producing television programs, and strategies in attracting audiences in maintaining the existence of Padang TV. The research methodology used in this research is qualitative method and data collection techniques by conducting interviews, observations, and document studies. The results showed that the Cerdas Qur'an Program has a strong role in increasing the existence of Padang TV through several strategies, namely, strategies for producing television programs, strategies for attracting audiences, strategies for producing programs in the community, and utilizing internet media. 2024-12-31T03:16:39+07:00 Copyright (c) 2024 reski wahyudi https://journal.isi-padangpanjang.ac.id/index.php/OS/article/view/4993 Penulisan Naskah Dalam Pembuatan Film Pendek “Elegi Melodi” 2024-12-31T03:16:39+07:00 Riza Aliyatul Muna rizamuna850@gmail.com Primi Rohimi primirohimi@iainkudus.ac.id Penulisan naskah merupakan elemen penting dalam proses pembuatan film. Naskah film pendek “Elegi Melodi” yang bergenre komedi pahit dan memiliki alur campuran ini memerlukan struktur yang mendalam agar pesan yang ingin disampaikan dapat diterima dengan baik. Oleh karena itu, peneliti tertarik untuk menganalisis naskah film pendek “Elegi Melodi”. Penelitian ini bertujuan untuk mengetahui penerapan teori struktur tiga babak Aristoteles dalam penulisan naskah film pendek “Elegi Melodi”. Teori yang digunakan dalam penelitian ini adalah teori struktur tiga babak yang terdiri dari Babak I, Babak II, dan Babak III. Metode penelitian yang digunakan adalah kualitatif dengan teknik studi dokumenter untuk mengumpulkan final draft naskah film pendek “Elegi Melodi”. Hasil penelitian menunjukkan bahwa penerapan struktur tiga babak pada naskah “Elegi Melodi” memberikan panduan yang jelas dalam membantu menyusun alur cerita. Pada babak I digunakan untuk pengenalan tokoh, babak II berhasil memunculkan konflik, dan babak III menyajikan penyelesaian yang memberikan dampak emosional pada penonton. 2024-12-31T03:16:39+07:00 Copyright (c) 2024 Riza Aliyatul Muna, Primi Rohimi https://journal.isi-padangpanjang.ac.id/index.php/OS/article/view/5009 PENEGASAN KARAKTER PSIKOLOGIS TOKOH SURYANI MELALUI KOSTUM PADA FILM PENYALIN CAHAYA KARYA WREGAS BHANUTEJA 2024-12-31T03:16:39+07:00 Mutiara Dewita tiaraajj451@gmail.com This study examines the Light Copying Film that raises the teme against injustice. This research aims to analyze the psychological character of Syriac characters in the Light Copying Film through the use of costumes. The method used was a descriptive qualitative analysis of the costume changes Syriac wore throughout the film. This study uses the theory of mise en scene, color psychology, and character 3D analysis to reveal the relationship between costume changes and Syriac psychological dynamics, research results suggest that costumes play an important role in describing the psychological development of Syriac characters. The choice of colors, textures, and costume styles consistently reflects the emotional state, internal conflicts, and character travel from stress to self-empowerment. The dominant dark and neutral colors at the beginning of the story indicate a somber mood and a sense of alienation, while the transition to lighter colors indicates a Syriac attempt to escape psychological distress. The character's 3D approach also highlights the relationship between costumes and Syriac interactions with the environment as well as other characters in the narrative. These results can serve as a reference for filmmakers in optimizing visual aspects to strengthen psychological characterization in cinema. Keywords: Injustice Psychological Character, Costume, Light Copier, Descriptive Qualitative, Suryani. 2024-12-31T03:16:39+07:00 Copyright (c) 2024 Mutiara Dewita https://journal.isi-padangpanjang.ac.id/index.php/OS/article/view/4623 ANALISIS PACING DALAM MEMBENTUK SUSPENSE PADA FILM JOKER KARYA TODD PHILLIPS 2024-12-31T03:16:39+07:00 Taruna Satria Persada takapik12@gmail.com <p><em>The Joker movie shows the journey of Arthur Fleck as he slowly turns into the Joker. The researched aspect of this movie is the editing aspect with a focus on pacing techniques in shaping one of the dramatic elements, suspense. This research uses a qualitative method that is presented descriptively based on theories that contain pacing and dramatics.</em></p><p><em>The results of this research prove that pacing has an important role in shaping the dramatic elements of suspense, by withholding information through cutting with three methods, which are: rate of cutting, rate of change or movement within a shot, and rate of overall change. The dramatic pattern of suspense in the Joker movie has three stages, which are before, during, and after, which are related to each other in shaping the dramatic elements of suspense.</em></p> 2024-12-31T03:16:39+07:00 Copyright (c) 2024 Taruna Satria Persada https://journal.isi-padangpanjang.ac.id/index.php/OS/article/view/5339 STRATEGI KREATIF SUTRADARA DALAM CASTING DAN DIRECTING PEMERAN TOKOH AMON PADA FILM PABARUAK 2025-02-20T10:35:55+07:00 Mustika Loly Vianda mustika@gmail.com Nitasri Murawaty Girsang nitasri@gmail.com <p>This study aims to describe the director's creative strategy on casting and directing the character of Amon in the Pabaruak movie. Using the theory creative strategy of Mell Rhodes The Four P'S Creativity (4P) and the theory of Director Don Livingston, casting, Amateur Actor. And also using the descriptive qualitative as the method of the study. The results of this study indicate the creative strategy on casting was carried out immediately and parallelly, which is the first casting was performed by Dafriansyah Putra as a representative of the Triangle System. The casting was carried out by distributed the casting flyers and visited 3 elementary schools in Batusangkar with the recommendation of Mr. Yusuf as a Chair of the Committee. Because of there was no agency or community to provided the children actors, the director decided to used the amateur actors. On the directed process, the director’s strategy creative in directed the amateur children actors with the intense rehearsal process. In some difficult scenes, such as dancing on the peaks, Finally Daanish was able to do silat, because of his intense training process.</p> 2025-02-20T10:35:55+07:00 Copyright (c) 2025 Nitasri Murawaty Girsang