Kebiasaan Melanggar Peraturan Pengguna Jalan Sebagai Objek Penciptaan Karya Seni Lukis

Randi Pratama, Khairunnisa Khairunnisa, Rahma Melisha Fajrina, Maulid Hariri Gani

Abstract


Abstract

The habit of violating the rules by road users became a source of ideas in creating this work of art. The asphalt road and the icons on the road are used as objects for creating works. Starting from observing the behavior and habits of road users and public facilities who do not comply with applicable regulations, violate traffic signs, disobey road markings and so on. The author uses forms or icons that are often found on the streets, such as; traffic signs, marking lines, road asphalt, car tire tracks and so on onto the canvas using a realist-symbolic style. The realist-symbolic concept is used to convey messages to people who see or enjoy this work. The method used in the process of making this work goes through several stages, namely; (1) observation stage (2) contemplation stage (3) sketch stage (4) embodiment stage.

 

Keywords:  the habit of breaking the rules, streets, painting


Keywords


the habit of breaking the rules, streets, painting

Full Text:

PDF

References


Campbell, David. 1986. Mengembangkan Kreativitas; disadur A. M Mangunhardjana. Yogyakarta: Kanisius.

Fathurrahman, Moh. 2006. “Metafora Keong Dalam Siklus Kehidupan”. Jurnal Penciptaan dan Pengkajian Seni. Volume. 1/02, Surya Seni, Agustus 2005: 19-28, Yogyakarta.

Hannula, Mika dkk. 2005. Artistic Research. Finland: Cosmoprint Oy. Jazuli, M. 2014. Sosiologi Seni, edisi 2. Yogyakarta: Graha Ilmu.

Hoed, B. H. (2014). Semiotik dan Dinamika Sosial Budaya. Komunitas Bambu.

Kartika, D. S. (2004). Pengantar Estetika. Rekayasa Sains.

Kartika, D. S. (2016). Kreasi artistik: perjumpaan tradisi dan modern dalam paradigma kekaryaan seni (L. P. dan K.

B. N. Citra Sains (ed.)).

Lubis, Mochtar. 1992. Budaya, Masyarakat, dan Manusia Indonesia, Yayasan Obor Indonesia, Jakarta.

Mujiono. (2010). Seni Rupa Dalam Perspektif Metodologi Penciptaan: Refleksi Atas Intuitif dan Metodis. Imajinasi, Vol. VI No, 75–83.

Rajudin, R., Miswar, M., & Muler, Y. (2020). Metode Penciptaan Bentuk Representasional, Simbolik, Dan Abstrak (Studi Penciptaan Karya Seni Murni Di Sumatera Barat, Indonesia). Gorga : Jurnal Seni Rupa, 9(2), 261. https://doi.org/10.24114/gr.v9i2.19950

Santosa, Puji. (1993), Ancangan Semiotika Pengkajian Susastra, Angkasa, Bandung.

Sumardjo, J. (2000). Filsafat Seni. Penerbit

ITB.

Takwin, Bagus. (2005), Kesadaran Plural: Sebuah Sintesis Rasionalitas dan Kehendak Bebas, Jalasutra, Yogjakarta.




DOI: http://dx.doi.org/10.26887/spacepro.v1i1.3759

Refbacks

  • There are currently no refbacks.


Copyright (c) 2023 Randi Pratama, Khairunnisa Khairunnisa, Rahma Melisha Fajrina, Maulid Hariri Gani

Creative Commons License
SPACEPRO: Product Design Journal distributed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.