PKI's stigmatization after 1965 in the Installation of Artwork

MUHAMMAD BAGUS RAMADHAN

Abstract


The people of Lamongan, since 1965 after the G30S PKI, were used as the basis for the escape of the PKI minions who infiltrated the confusion of the farming community in Lamongan. Since then, BTI (Barisan Tani Indonesia) has emerged among the peasant community, although it cannot be even that the Lamongan community is a BTI community. From the basis of this event, the author wants to sound the visualization of ideas and ideas into the creation of installation artworks, which was given the title Stigmatization of the PKI after 1965 in the creation of installation artworks. The installation is visualized using a light base that produces shadows. The author wants to convey the general condition of the people who have never known the other side of the history that was released by the government, the writer wants to make this installation as a medium for sound and a new medium for thinking in seeing the dark historical context of the PKI G 30 S. This event became a foothold in the formation of the ideology of writers creating works of art. The installation art is realized by using the David Campbell method approach; 1. Preparation, 2. Concentration, 3. Incubation, 4. Illumination, 5. Verification

 

Lamongan community, since 1965 after the G30S PKI became the basis for the escape of the PKI's lackeys who infiltrated the confusion of farming community in Lamongan. Since then, BTI (Barisan Tani Indonesia) has emerged among the peasant community, although it cannot be flat that the Lamongan community is a BTI community. From the basis of the event, the writer wants to voice through visualizing ideas and ideas into the creation of installation art works, which was given the title Stigmatization of the PKI after 1965 in the Creation of Installation Artworks. The installation is visualized using a light base that produces shadows. The writer wants to convey a condition in which the general public who never knew the other side of the history that was released by the government, The writer wanted to make the installation as a medium for sound and a new space for thinking in seeing the dark historical context of the G30 S PKI. This event became a foothold in the formation of the ideology of the writer creating artworks. This installation of art is realized using David Campbell's method approach; 1. Preparation, 2. Concentration, 3. Incubation, 4. Illumination, 5. Verivication.


Keywords


Stigmatisasi, penyuaraan, karya instalasi



DOI: http://dx.doi.org/10.26887/ekspresi.v22i1.932

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Alamat Redaksi:

LPPMPP Institut Seni Indonesia Padangpanjang

Jl. Bahder Johan 27128, Sumatera Barat (0752) 82077

Email: red.ekspresiseni@gmail.com 

 


This work is licensed under a Creative Commons Attribution 4.0 International License.


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