SAMPURAGA: PENCIPTAAN OPERA BATAK
Abstract
Opera Batak Sampuraga is a play that began from the experience of seeing the site Sampuraga Hot Spring, located in the area Sirambas Mandailing-Natal, and stories are told from mouth to mouth (oral literature). Then rearrangement is done regarding characterization and the occuring event by using some structures of Indonesian modern theater. As Batak Opera has some similarities with the structure of Indonesian modern theater, Opera Batak Sampuraga as an object of art creation, experiences a touch of creativity with the presence of various elements of art from other regions; one of them is gundala-gundala, a traditional theater of Karo region. Sampuraga play is a human obsession and ambition in reaching their goals, which requires sacrifice, although it eventually leads a curse. Opera This play is presented through a realism approach with representation style. The form of tragedy is chosen because of the incident happening to two human beings; mother and child. This creation is important because Opera Batak Sampuraga is similar to the pattern and characterization of plays in Indonesian modern theater.
Full Text:
PDFReferences
Anirun, Suyatna. 2002. Menjadi Sutradara. Bandung: STSI Press Bandung.
Carle, Rainer. 1988. Tenggara: Jurnal of Southeast Asian Literature. Dewan Bahasa Dan Pustaka Lot, Kuala Lumpur: Papers from the Sixth European Colluquium on Malay and Indonesia Studies. ISSN 0126 – 6373.
Harahap, Basyral H. dan Siahaan, Hotman M. 1987 Orientasi Nilai-nilai Budaya Batak. Jakarta: Sanggar Willem Iskander.
Meriam, Alan P. 1964. The Anthropology of Music. Northwestern: University Press.
Pavis, Patrice. 1992. Theatre at the Crossroad of Culture. Transl. Loren Kruger. London and New York: Routledge.
Parkin, Harry. 1978 Batak Fruit of Hindu Thought. Madras: Khristian Literature Society.
Purba, Krismus. 2002. Opera Batak Tilhang Serindo:Pengikat Budaya Masyarakat Batak Toba di Jakarta. Yogyakarta: Kalika Bantul.
angti, Batara. 1978. Sejarah Batak. Balige: Karl Sianipar.
Sedyawati, Edi. 1981. Pertumbuhan Seni Pertunjukan. Jakarta: Sinar Harapan
Siahaan, Amanihut N. dan H. Pardede. 1964 Sejarah perkembangan Marga-marga Batak. Balige: Indra
Siahaan, Nalom. 1982. Adat Dalihan Na Tolu: Prinsip Dan Pelaksanaannya. Jakarta: Grafina.
Siahaan, E. K, et al. 1976/1977. Ensiklopedi Musik Dan Tari Daerah Sumatera Utara. Medan: Proyek Penelitian Dan Pencatatan Kebudayaan Daerah
Sadie, Stanley (ed.). 1980. The New Grove Dictionary of Music and Musicians. 9 vols, Hongkong: Machmillan Publisher Limited.
S. D. Gotein. 1972. Letters of Musical Jewis-Traders. Princetown: Princetown University Press.
Tobing, Philip. L. 1956. The Structure of Toba-Batak Belief in The High God. Amsterdam: Jacob van Campen.
Tambunan, Anggur P. 1977. Kamus Bahasa Batak Toba – Indonesia. Jakarta: Pusat Pembinaan Bahasa Departemen Pendidikan Dan Kebudayaan. Jakarta.
DOI: http://dx.doi.org/10.26887/ekse.v16i1.1
Refbacks
- There are currently no refbacks.
Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
E-ISSN 2580-2208 | P-ISSN: 1412-1662 | DOI: 10.26887/ekspresi
Website: https://journal.isi-padangpanjang.ac.id/index.php/Ekspresi/index
Email: red.ekspresiseni@gmail.com | Support Contact Email: thegar.risky@gmail.com
Editor in Chief: Dr. Dede Pramayoza | Managing Editor: Saaduddin, M.Sn | Thegar Risky.S.Kom | Febri Desman, S | Elfira Roza, S.Kom
Publisher: Lembaga Penelitian Pengabdian Kepada Masyarakat (LPPM) ISI Padangpanjang
Jalan Bahder Johan, Kota Padangpanjang, Sumatera Barat, Indonesia 27128 | Phone: (0752) 82077 | Fax: (0752) 82803
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni © 2017 by LPPM Institut Seni Indonesia Padangpanjang is licensed under Attribution-NonCommercial 4.0 International