PANCARAGAM AS AN ALTERNATIVE OF CULTURAL MUSIC CULTURE IN PAUAH AND KURANJI PADANG REGIONS

HAFIF HR

Abstract


Celebratory music has become a tradition in society. Almost all regions in Nusantara have a form and kind of music that used as a procession, whether in a wedding or other cultural ceremony. In Minangkabau, celebratory music as a tradition is taking a kind of music named Talempong Pacik, using talempong, sarunai, pupuik batang padi, gendang sarunani, and gendang tambua. In Pauah and Kuranji, celebratory music is also has a function as entertainment music that develops in the society called Pancaragam. The presence of this music is background by military ceremony music and then developed into entertainment music as well as being used as a procession music using conventional brass instruments such as trumpets, saxophone, and trombone also percussion instruments such as cymbal, snare drum, and bass drum. The presence of Pancaragam music in Pauah and Kuranji has give manifest function or real function, objective consequences that gave contribution in adjustment or adaptation of the system that desired and realized by the participants of the system. The existence of Pancaragam as an alternative for society is used in ceremony and serves as entertainment in wedding ceremony. Until now, Pancaragam is still used by the society in Pauah and Kuranji as an alternative ceremony music culture and also as an entertainment in wedding ceremony.

Keywords


Celebratory Music; Pancaragam; Alternative Culture

Full Text:

PDF

References


Azhari Imam, (2014) Eksisitensi Kesenian Tanjidor di Kota Pontianak, (Pontianak : FKIP Universitas Tanjungpura Pontianak).

Arnailis, (2012) Tergugat Eksisitensi Dendang-DendangvCupak-Solok di Era Globalisasi (Padangpanjang : Institut Seni Indonesia Padangpanjang)

Kaplan David dan Manners Albert, Pengantar Laksono.P.M, (1999), The Theory of Culture

(Yogyakarta : Pustaka Pelajar).

Kleden Ignes, (1998) Sikap Ilmiah dan Kritik Kebudayaan ( Jakarta : LP3ES).

Mashfufah, (2015) Tradisi Arakan Pada Acara Perkawinan Di Desa Tanjung Lago Kecamatan tanjung Lago Kabupaten Banyuasin, (Pelembang : Universitas Islam Negri Ragen Fatah Palembang).

Mahdi Ibrahim Manggih, (2014) Bentuk dan Fungsi Kesenian Tradisional Tong-Tong Prek Desa Jatirejo Kecamatan Ampelgading Kabupaten Pemalang, (Semarang : Universitas Negri Semarang).

Purba Elisabeth, (2015) Kajian Manajemen Organisasi, Produksi dan Pemasaran Group Musik Tiup di Kota Medan, (Medan : Universitas Sumatra Utara).UP MUS

Rusmin Tumanggor, dkk., (2010) Ilmu Sosial &Budaya Dasar, Edisi Revisi (Jakarta: PT. Fajar Inerpratama Mandiri).

Sari Hanum Nurdisni, (2015) Eksistensi Group Musik Tanjidor Nada Irama Desa Sekuduk Kecamatan Sejangkung Kabupaten Sambas, ( Pontianak : FKIP Universitas Tanjungpura Pontianak).

Sairin Syafri, (1992) Perubahan dalam Kebudayaan Minangkabau, ( Padang : Universitas Andalas).NAJEMEN




DOI: http://dx.doi.org/10.26887/ekspresi.v22i1.1037

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.


Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni 

E-ISSN 2580-2208 | P-ISSN: 1412-1662 | DOI: 10.26887/ekspresi 
Website: https://journal.isi-padangpanjang.ac.id/index.php/Ekspresi/index
Email: red.ekspresiseni@gmail.com | Support Contact Email: thegar.risky@gmail.com
Editor in Chief: Dr. Dede Pramayoza | Managing Editor: Saaduddin, M.Sn | Thegar Risky.S.Kom | Febri Desman, S | Elfira Roza, S.Kom
Publisher: Lembaga Penelitian Pengabdian Kepada Masyarakat  (LPPM) ISI Padangpanjang
Jalan Bahder Johan, Kota Padangpanjang, Sumatera Barat, Indonesia 27128 | Phone: (0752) 82077 | Fax: (0752) 82803

 

 


Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni © 2017 by LPPM Institut Seni Indonesia Padangpanjang is licensed under Attribution-NonCommercial 4.0 International