SETUBUH DUA WANITA

Dewi Susanti

Abstract


The choreography “Two Women Intercourse” is inspired by the increasingly common social phenomena called lesbianism. The basis of its gestures derives from Malay and Minang traditional dances with contemporary touches to easily communicate it to its audience. The dance is choreographed using an environmental choreographing technique that involves ten dancers consisting of two male dancers and eight female dancers.

Expressing the idea of lesbianism the dance “Two Women Intercourse” is tinged with the soul expression resulting from the real world story of some choreographer’s friends. The choreography is performed in a cafe called Bambo Resto Yogyakarta in order to accommodate the glamour and the freedom of night life. The phenomena of lesbianism is more clearly observed in certain community that often organize the meeting in the cafes considered to be public space with high privation as modernity icon. The atmosphere of the Bambo Resto cafe is highly relevant to the theme of the choreography and its architecture as well as its landscape are used to support the necessity of chorographical aesthetics. 


Keywords


Social phenomena , “Two Women Intrercourse”, lesbianism.

Full Text:

PDF

References


M. Affandi. 1977. Metodik Khusus Pendidikan Seni Rupa. Yogyakarta: IKIP-FKSS.

I. M. Bandem. 2001. Metodologi Penciptaan Seni, Kumpulan Bahan Kuliah. yogyakarta:

Program Pascasarjana ISI.

Trisilo Bambang Dewobroto. 2005. Gaya Lukis Anak – Anak Sebagai Acuan Penciptaan Karya

Lukis, Surya Seni Jurnal Penciptaan dan Pengkajian Seni. Yogyakara: Program Pascasarjana ISI.

F. W. Diliston. 2002. Daya Kekuatan Simbol (The Power Of Syimbol). Yogyakarta:Kanisius.

S. Djoharnurani. 23 juli 1999. “Seni dan Intertekstualitas : Sebuah Perspektif”, dalam pidato ilmiah dies natalis XV ISI. Yogyakarta: ISI Yoyakarta.

Endang. 1992. Tata Rias Busana. Bandung: Dalam Catatan Seni STSI Press.

Herlinatiens. 2003. Garis Tepi Seorag Lesbian. Yogyakarta: Galang Press.

Rahmat Jalaludin. 1989. Psikologi Komunikasi. Bandung: CV. Remaja Karya.

John M. Echols dan Hasan Shandi. 1976. Kamus Inggris-Indonesia. Jakarta: PT. Gramedia Pustaka utama.

susane K. Langer. 1988. Problem of Art, (Seni dan Beberapa permasalahannya). Bandung: alih bahasa oleh FX Midartanto, Akademi Seni Tari Indonesia.

Onang. 1992. Tata Rias dan busana Tari, Bandung: Dalam Catatan Seni, STSI Press Qur’an, Surat AR-Rum, Ayat 21.

Alex Sobur. 2003. Semiotika Komunikasi. Bandung: PT. Remaja Rosda karya.

Soedarsono. 1987. Pengantar Pengetahuan dan Komposisi Tari. yogyakarta: Akademi Seni Tari Indonesia.

Widodo, Dkk. 2002. Kamus Ilmiah Populer. Yogyakarta: Absolut.




DOI: http://dx.doi.org/10.26887/ekse.v13i1.188

Refbacks

  • There are currently no refbacks.





Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni 

E-ISSN 2580-2208 | P-ISSN: 1412-1662 | DOI: 10.26887/ekspresi 
Website: https://journal.isi-padangpanjang.ac.id/index.php/Ekspresi/index
Email: red.ekspresiseni@gmail.com | Support Contact Email: thegar.risky@gmail.com
Editor in Chief: Dr. Dede Pramayoza | Managing Editor: Saaduddin, M.Sn | Thegar Risky.S.Kom | Febri Desman, S | Elfira Roza, S.Kom
Publisher: Lembaga Penelitian Pengabdian Kepada Masyarakat  (LPPM) ISI Padangpanjang
Jalan Bahder Johan, Kota Padangpanjang, Sumatera Barat, Indonesia 27128 | Phone: (0752) 82077 | Fax: (0752) 82803

 

 


Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni © 2017 by LPPM Institut Seni Indonesia Padangpanjang is licensed under Attribution-NonCommercial 4.0 International