GANRANG PA’BALLE DALAM RITUAL ACCERA’ KALOMPOANG DI KALANGAN BANGSAWAN GOWA - SULAWESI SELATAN

Amir Razak

Abstract


Ganrang Pa‟balle is an ensemble consisting of two pairs of ganrang (drum), a piuk-puik (flute), and a dengkang (gong). This ensemble is usually performed in traditional or ritual ceremonies among Makassar ethnic group. Among the aristocrat group, this music is routinely performed each year in the ritual ceremony to clean Gowa kingdom‟s royal objects, which is usually called upacara accera’ kalompoang. The presentation of Ganrang Pa‟balle has structured patterns of rhythm. The patterns are Tunrung balle sumange’ (to boost the spirit or soul), tunrung rua (two-rhythm stroke), and tunrung pakanjara (pakanjara stroke). The three patterns must be played with a structure in a kalompoang ritual ceremony. Apart from a ritual ensemble, Ganrang Pa‟balle is also considered as a heritage of Gowa kingdom (kalompoang). Non-existence of this music in a ritual ceremony is believed to be a problem in kalompoang. Without the sound of the drum, the ceremony will lose its spirit. In addition to that, it will dishonor the spirit of the late aristocrats which is believed to be residing in every royal objects.  


Keywords


Ganrang; Pa‟balle; Ritual; Accera; Kalompoang

Full Text:

PDF PDF

References


Kooreman, P.J. dalam Edward L. Poelinggomang, Perubahan Politik dan Hubungan Kekuasaan Makassar 1906-1942. Yogyakarta: Ombak, 2004.

Malinowski, dalam Koentjaraningrat, Sejarah Teori Antropologi I. Jakarta: Universitas Indonesia Press, 1987.

Malinowski, dalam Moh. Soehadha, “Teori Funsionalisme Malinowski dan Implikasinya terhadap Studi Agama-Agama” Yogyakarta: Jurnal Religi Vol. IV. No. 1.UIN Sunan Kalijaga Yogyakarta, 2005.

Merriam, Alan P. The Anthropology of Music. Chicago: Northwestern University Press, 1964.

Nattiez, dalam Victor Ganap, “Seni dalam Diskursif Semiotika”, dalam Jurnal Panggung, Nomor XXXVIII, 2006.

Poelinggomang, Edward L. Perubahan Politik dan Hubungan Kekuasaan Makassar 1906 - 1942. Yogyakarta: Ombak, 2004.

Solihing, Royong Musik Vokal Komunikasi Gaib Etnik Makassar. Makassar: Masagena, 2004.

Sutton, R. Anderson. Calling Back the Spirit Music, Dance, and Cultural, Politic in Lowland South Sulawesi. New York: Oxford University Press, 2002.




DOI: http://dx.doi.org/10.26887/ekse.v13i1.192

Refbacks

  • There are currently no refbacks.





Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni 

E-ISSN 2580-2208 | P-ISSN: 1412-1662 | DOI: 10.26887/ekspresi 
Website: https://journal.isi-padangpanjang.ac.id/index.php/Ekspresi/index
Email: red.ekspresiseni@gmail.com | Support Contact Email: thegar.risky@gmail.com
Editor in Chief: Dr. Dede Pramayoza | Managing Editor: Saaduddin, M.Sn | Thegar Risky.S.Kom | Febri Desman, S | Elfira Roza, S.Kom
Publisher: Lembaga Penelitian Pengabdian Kepada Masyarakat  (LPPM) ISI Padangpanjang
Jalan Bahder Johan, Kota Padangpanjang, Sumatera Barat, Indonesia 27128 | Phone: (0752) 82077 | Fax: (0752) 82803

 

 


Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni © 2017 by LPPM Institut Seni Indonesia Padangpanjang is licensed under Attribution-NonCommercial 4.0 International