Study Of The Aesthetic Form Of Wood Craft Furniture Design By Barata Sena
Abstract
This study focuses on five woodcraft furniture designs by Barata Sena that have been exhibited, namely the Groovy Grey Dining Table, Selendang Console Table, Coffee Table Soft Miami Blue, Wall Panel, and Cabinet Bontos Effect with 4 Drawer. The analysis of the aesthetic form of these five woodcraft furniture designs by Barata Sena is conducted using an interpretative analysis method with an approach to furniture aesthetics. The interpretation analysis is intended to examine Barata Sena's woodcraft furniture designs. Aesthetics in a furniture design can be observed through its composition of principles. Aesthetic form, emotionally, aims to present symbolic images for enthusiasts or users. The forms of the five Barata Sena furniture designs as a whole tend to be in the realm of Geometric Abstraction. These Barata Sena furniture designs not only have geometric basic shapes but are also configured with organic forms. The crafting techniques and finishing applied by Barata Sena tend to be innovative, which is the result of a fairly extensive exploration in order to achieve textures, colors, and constructions with appealing freshness.
Keywords
Full Text:
PDFReferences
Allen, J. (2006). Art Since 1900: Modernism, Antimodernism, Postmodernism. Reference Reviews, 20(2). https://doi.org/10.1108/09504120610647537
Bahrudin, A. (2011). Kriya Seni Kelahiran dan Eksistensinya. Ekspresi Seni, 13(1), 36–45.
Bian, Z. (2020). Relationship Between Cognition of Decorative Folk-Art and Aesthetic Evaluation. Revista Argentina De Clinica Psicologica, 29(1). https://doi.org/10.24205/03276716.2020.199
Bullot, N. J., & Reber, R. (2013). The Artful Mind Meets Art History: Toward a Psycho-Historical Framework for the Science of Art Appreciation. Behavioral and Brain Sciences, 36(2), 123–137. https://doi.org/10.1017/s0140525x12000489
Condit, C. W., & Pye, D. (1969). The Nature and Art of Workmanship. Technology and Culture, 10(2), 307–309. https://doi.org/10.2307/3101490
Cupchik, G. C. (2002). The Evolution of Psychical Distance as an Aesthetic Concept. Culture & Psychology, 8(2). https://doi.org/10.1177/1354067x02008002437
Griep, Y., Vanbelle, E., Broeck, A. Van den, & Witte, H. De. (2021). Active Emotions and Personal Growth Initiative Fuel Employees’ Daily Job Crafting: A Multilevel Study. BRQ Business Research Quarterly, 25(1), 62–81. https://doi.org/10.1177/23409444211033306
Gustami, S. P. (2000). Seni kerajinan mebel ukir Jepara : kajian estetika melalui pendekatan multidisiplin. In Yogyakarta, Indonesia: Kanisius.
Hagen, L. (2020). Pretty Healthy Food: How and When Aesthetics Enhance Perceived Healthiness. Journal of Marketing, 85(2). https://doi.org/10.1177/0022242920944384
Ishiguro, C., & Okada, T. (2020). How Does Art Viewing Inspires Creativity? The Journal of Creative Behavior, 55(2). https://doi.org/10.1002/jocb.469
Jamaludin, J. (2014). Pengantar Desain Mebel. In Bandung: Kiblat Buku Utama.
Kumar, M., & Garg, N. (2010). Aesthetic Principles and Cognitive Emotion Appraisals: How Much of the Beauty Lies in the Eye of the Beholder? Journal of Consumer Psychology, 20(4), 485–494. https://doi.org/10.1016/j.jcps.2010.06.015
Lavie, T., & Tractinsky, N. (2004). Assessing Dimensions of Perceived Visual Aesthetics of Web Sites. International Journal of Human-Computer Studies, 60(3). https://doi.org/10.1016/j.ijhcs.2003.09.002
Liu, P., Wang, K., Yang, K., Chen, H., Zhao, A., Xue, Y., & Wang, Y. (2020). An Aesthetic Measurement Approach for Evaluating Product Appearance Design. Mathematical Problems in Engineering. https://doi.org/10.1155/2020/1791450
Marizar, S. (2005). Designing furniture: teknik merancang mebel kreatif: konsepsi, solusi, inovasi dan implementasi. Media Pressindo.
Mubarat, H., & Ilhaq, M. (2021). Telaah Nirmana sebagai Proses Kreatif Dalam Dinamika Estetika Visual. Ekspresi Seni: Jurnal Ilmu Pengetahuan Dan Karya Seni, 23(1), 125–139.
Okada, T., & Ishíbashi, K. (2016). Imitation, Inspiration, and Creation: Cognitive Process of Creative Drawing by Copying Others’ Artworks. Cognitive Science, 41(7), 1804–1837. https://doi.org/10.1111/cogs.12442
Pivetta, F., Cunha, M. B. da, & Porto, M. F. (2022). Extended Action-Research Community: Building Knowledge and Practices in Daily and Affective Dialogue With the Territory. Saúde Em Debate. https://doi.org/10.1590/0103-11042022e614i
Raharjo, T. (2011). Seni Kriya dan Kerajinan (O. Herum Marwoto (ed.); 1st ed.). Kanisius .
Ramli, M. F., Musa, R., Khairuddin, N. E. M., & Basiron, N. (2020). Cultural Sharing Through Visual Art Exhibition ‘Dalam Bingkai’ by JSRB-UPSI With FSRD-ISBI. Educatum Journal of Social Sciences, 6(2), 25–34. https://doi.org/10.37134/ejoss.vol6.2.3.2020
Rohidi, T. R. (2011). Metologi Penelitian Seni. Cipta Prima Nusantara Semarang.
Sachari, A. (2006). Pergeseran Gaya pada Desain Furnitur Indonesia Abad Ke-20 Studi Mengenai Pemberdayaan Nilai Estetis Menghadapi. Dimensi Interior, 4(1), 9–16.
Sadler‐Smith, E. (2020). Searching for Spiritual Intuition in Management. Academy of Management Proceedings. https://doi.org/10.5465/ambpp.2020.14627abstract
Samantha, R. F., Kusumarini, Y., & Basuki, L. (2018). Studi Profil Desainer, Konsep, dan Karya Art Furniture (Studi Kasus: Barata Sena). Intra, 6(2), 698–709.
Sanyoto, S. E. (2010). Nirmana: elemen-elemen seni dan desain. Jalasutra.
Shearer, R. R. (1995). From Flatland to Fractaland: New Geometries in Relationship to Artistic and Scientific Revolutions. Fractals, 3(3), 617–625. https://doi.org/10.1142/s0218348x95000540
Utomo, T. N. P., & Kusumarini, Y. (2020). Nilai-Nilai Desain Dalam Praktik Dan Berpikir Desainer: Filosofi “Jalan Kayu” Barata Sena. Jurnal Strategi Desain Dan Inovasi Sosial, 1(2), 187–199.
Vassiliou, K. (2017). Anonymous Art Reconsidered: Anonymity and the Contemporary Art Institution. Journal of Aesthetics & Culture, 9(1). https://doi.org/10.1080/20004214.2017.1302709
DOI: http://dx.doi.org/10.26887/ekspresi.v25i2.2062
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution 4.0 International License.
Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
E-ISSN 2580-2208 | P-ISSN: 1412-1662 | DOI: 10.26887/ekspresi
Website: https://journal.isi-padangpanjang.ac.id/index.php/Ekspresi/index
Email: red.ekspresiseni@gmail.com | Support Contact Email: thegar.risky@gmail.com
Editor in Chief: Dr. Dede Pramayoza | Managing Editor: Saaduddin, M.Sn | Thegar Risky.S.Kom | Febri Desman, S.Hum | Elfira Roza, S.Kom
Publisher: Lembaga Penelitian Pengabdian Kepada Masyarakat (LPPM) ISI Padangpanjang
Jalan Bahder Johan, Kota Padangpanjang, Sumatera Barat, Indonesia 27128 | Phone: (0752) 82077 | Fax: (0752) 82803
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni © 2017 by LPPM Institut Seni Indonesia Padangpanjang is licensed under Attribution-NonCommercial 4.0 International