Javanese and Islamic Syncretism in the Meaning of the Singo Mengkok Batik Motif by Sunan Drajat, Lamongan

Abstract

The Singo Mengkok batik motif from the time of Sunan Drajat's missionary work in Lamongan is a cultural artifact resulting from sophisticated syncretism, combining Javanese-Hindu symbolism (Padma Flower/Tunjung), Chinese (Qilin/Kirin), and Islamic values. Using Clifford Geertz's symbolic interpretation approach, this study reveals that this motif functions as a complex symbol system. At the cognitive/mythical level, the shape of the squatting lion transforms the concept of physical strength into a spiritual one, reflecting the subjugation of desires, in line with Surah Al-Qasas: 50. At the evaluative level, its isen-isen function as a visual catechism, teaching the Five Pillars of Faith, the Five Pillars of Islam, and the obligation of prayer. As a backdrop for Sunan Drajat's gamelan performances, this batik serves as an effective medium for cultural missionary work, demonstrating a wise acculturation strategy that respects local culture while harmoniously conveying Islamic teachings.