TARI TANDUAK DALAM KEHIDUPAN MASYARAKAT NAGARI LUBUAK TAROK KABUPATEN SIJUNJUNG: SUATU KAJIAN SEMIOTIKA

Auliana Mukhti Maghfirah

Abstract


Tanduak dance is a traditional performing art form that is performed within the royal court, and without this dance, guests are not allowed to enter the kingdom. Over time, the dance has also been performed in community events, under the supervision of the village head. The existence of Tanduak dance is recognized by the local community as the identity of the village and a genuine cultural product of Nagari Lubuak Tarok, carrying special meanings in the lives of its supporting community. These meanings include the four colors of fabric used in the Tanduak props and the twenty-two mirrors, all of which hold significance in the dance. The aim of this research is to explore and understand the meanings embedded in Tanduak dance in Nagari Lubuak Tarok. The research method used is qualitative, collecting data through observation and studying traditional arts, particularly Tanduak dance and its environment, audio and visual documentation, and interviews with artists and the community. This research is analyzed using semiotic theory. In general, this study found the extent to which artists foster solidarity through the use of universal symbols in their artistic activities.

Keywords


Tanduak dance, meanings, social culture

Full Text:

PDF

References


Ana Novita Sari. 2018. Komposisi Tari Tanduak Dan Relevasinya Terhadap Pendidikan Karakter Bagi Anggota Sanggar Sikapur Sirih Di Nagari Lubuak Tarok Kabupaten Sijunjung Provinsi Sumatera Barat. Yogyakarta: Program Pascasarjana Universitas Negeri Yogyakarta.

Efrida. 2013. Kontribusi Silat Tuo Dalam Tari Rantak Karya Gusmiati Suid. Jurnal Seni Budaya. Vol 11 No. 2 Desember 2013. Jurusan Seni Tari Fakultas Seni: Pertunjukan ISI Surakarta.

Erlinda. 2016. Menapak Indang Sebagai Budaya Surau. Padangpanjang: Institut Seni Indonesia Padangpanjang.

_______. 2022.Indang Dance as a Traditional Education Media in Padang Pariaman, the Province of West Sumatra, Indonesia.Advances in Social Sciences Research Journal – Vol. 9, No. 11

Publication Date: November 25, 2022

DOI:10.14738/assrj.911.13395

Hoed, Benny H. 2008. Mendekontruksi Mitos-mitos Masa Kini Semiotik dan Dinamika Sosial Budaya. Jakarta: Daras Books.

Indra Utama. 2001. Tari Mancak Sebagai ManifestasiPencak silat Harimau Campo di Minangkabau. Yogyakarta.

Robty Hidayat. 2011. Koreografi & Kreativitas. Yogyakarta: Kendil Media Pustaka Seni Indonesiasuryodiningratan.

Sumandiyo Hadi. 2007.Kajian Teks dan Konteks, Yogyakarta: Pustaka Book Publisher.

Wahida Wahyuni.2017. Tari Tradisional Minangkabau di Prodi Tari Institut Seni Indonesia Padangpanjang.

Yasraf Amir Piliang. 1999. Hipersemiotika Tafsir Cultural Studies Atas Matinya Makna. Bandung: Jalasutra




DOI: http://dx.doi.org/10.26887/gjg.v1i2.3773

Refbacks

  • There are currently no refbacks.