Praktik Studio Sebagai Metode Penciptaan Monodrama Nasib Sial Seorang Badut

Jerry Prayuda, Saaduddin Saaduddin, Yuniarni Yuniarni

Abstract


Pemeranan tokoh badut dalam monodrama membutuhkan pendekatan mendalam untuk menciptakan karakter yang kuat. Dalam lakon monodrama"Nasib Sial Seorang Badut" karya Agus Noor, kisah seorang badut yang menghadapi berbagai tantangan hidup diwujudkan dengan menggunakan metode praktik studio. Dalam praktiknya, penelitian ini bertujuan mengeksplorasi berbagai kemungkinan yang didapatkan dalam proses praktik tersebut. Menggunakan tahapan studi pustaka, pengumpulana data, pengolahan data dan praktik studio, emphasis kekaryaan menekankan studi acting realisme dan kolaborasi teknologi media sebagai kekuatan kekaryaan.


Keywords


Monodrama; Agus Noor; Praktik Studio; Realisme; Teknologi

Full Text:

PDF

References


Azevedo, C. (2009). Monodrama. 7Letras.

Berceanu, A. I., Matu, S., & Macavei, B. I. (2020). Emotional and cognitive responses to theatrical representations of aggressive behavior. Frontiers in Psychology, 11(1), 1–12. https://doi.org/10.3389/fpsyg.2020.01785

Biggs, M. A., & Karlsson, H. (Eds.). (2011). The Routledge companion to research in the arts (p. 82). London: Routledge.

Borgdorff, H. (2012). The conflict of the faculties: Perspectives on artistic research and academia. Leiden University Press.

Culler, A. D. (1975). Monodrama and the dramatic monologue. PMLA/Publications of the Modern Language Association of America, 90(3), 366–385. https://doi.org/10.2307/461625

Egri, L. (2020). The art of dramatic writing art. Yogyakarta: Kalabuku.

Endraswara, S. (2011). Metode pembelajaran drama. Media Pressindo.

Filippov, G., & Razukhina, K. (2022). The hero/protagonist and the recipient in the monodrama “The Death of Firs” by V. Levanov. Semiotic Studies, 1(4), 39–45. https://doi.org/10.18287/2782-2966-2021-1-4-39-45

Hardani, M. (2020). Mewujudkan metode akting Stanislavski dalam lakon Matinya Pedagang Keliling (Death of a Salesman) karya Arthur Miller. Creativity and Research Theatre Journal, 2(1), 69. https://doi.org/10.26887/cartj.v2i1.1372

Leach, R. (2004). Makers of modern theatre: An introduction. London and New York.

Малютіна, Н. П. (2021). The phenomenon of the voice in the latest Russian drama. European Proceedings of Social and Behavioural Sciences. https://doi.org/10.15405/epsbs.2021.05.02.54

Mitrović, R. (2022). Between singing and dying: The position of music in the narrative strategies of the theater work Infernal Comedy: Confessions of a Serial Killer. New Sound, 60(2), 79–90. https://doi.org/10.5937/newso2260079m

Noice, T., & Noice, H. (2002). The expertise of professional actors: A review of recent research. High Ability Studies, 13(1), 7–19. https://doi.org/10.1080/13598130220132271

Novianto, W. (2019). Ramaturgi teater realisme: Siasat dramatik dan artistik mencipta ilusi realitas. Acintya Jurnal Penelitian Seni Budaya, 10(2), 191–202. https://doi.org/10.33153/acy.v10i2.2282

Polanco, F., & Bonfiglio, D. B. V. (2016). Stanislavski’s objectives, given circumstances, and magic ‘if’s through the lens of optimal experience. Stanislavski Studies, 4(2), 205–216. https://doi.org/10.1080/20567790.2016.1234023

Sawoski, P. (2010). The Stanislavski system growth and methodology. Santa Monica College.

Schneider, V., & Rohmann, A. (2021). Arts in education: A systematic review of competency outcomes in quasi-experimental and experimental studies. Frontiers in Psychology, 12, 623935.

Soroka, I., Gusakova, N., Plutalov, S., Tsyselska, O., & Kuprii, T. (2022). Speech techniques as an important tool of verbal action in the art of the actor. Studies in Media and Communication, 10(3), 185–192.

Sullivan, G. (2006). Research acts in art practice. Studies in Art Education, 48(1), 19–35.

Welsh, J. M. (2010). The films of Johnny Depp. The Journal of American Culture, 33(1), 76.

Yudiaryani. (2002). Panggung teater dunia: Perkembangan dan perubahan konvensi. Pustaka Gondho Suli




DOI: http://dx.doi.org/10.26887/cartj.v6i2.4474

Refbacks

  • There are currently no refbacks.



Indexed By:

     

Creativity and Research Theatre Journal (CARTJ)

P-ISSN: 2715-5404  | E-ISSN: 2715-5412
Email: red.cartjjournal@gmail.com
Theatre Department
Institut Seni Indonesia Padangpanjang
Jln. Bahder Johan. Kel.Guguk Malintang, Kec. Padang Panjang Timur.
Kota Padangpanjang, Sumatera Barat 27128, Indonesia
Telepon: 0752 (82077) | Fax: (0752) 82803


This work is licensed under a Creative Commons Attribution 4.0 International License