KARAKTER PUTRI KENANGA DALAM LAKON KEANGKUHAN KARYA JONHAR SAAD DALAM PERTUNJUKAN DULMULUK DI PALEMBANG
Abstract
ABSTRACT
Character is temperament or habit. According to psychologist, character is a system of belief and habit that leads on an individual’s action. If knowledge about someone’s character can be known, how that someone will behave in certain conditions can also be known.
The story of Princess Kenanga’s arrogance was started with the story of King and Queen of a country who had a very beautiful and smart daughter whose name’s Princess Kenanga. The beauty of this princess was renowned throughout the country but unfortunately this princess had arrogant and haughty natures.
Princess Kenanga in the play “Keangkuhan (=Arrogance)” had evil characteristics because in her every appearance, she showed bad attitudes such as speaking harshly and doing action that’s not supposed to be done by a princess toward her folk and people. In the story of play “Keangkuhan (=Arrogance),” Princess Kenanga act abusively toward her folk.
Keywords: Arrogance, Dulmuluk, TheaterFull Text:
PDFReferences
DAFTAR PUSTAKA
Abdullah, Tatang. 2005. “Analisis Struk-tural Levi-Strauss terhadap Tiga Lakon Arthur, S, Nalan Kajian Transformasi tokoh dalam Lakon Rajah Air, Kawin Bedil, dan Sobrat”. Jurnal Panggung Vol. 21. No 2, STSI: Bandung.
Abrams, M.H. 1981. A Glosarry of Lite-rary Terms. New York: Holt, Rinehart and Winston.
Achmad, Kasim. 2006. Mengenal Teater Tradisional Di Indonesia. Jakarta: Dkj.
Arjul, 2007. “Struktur dan Tekstur lakon Abdul muluk di Desa Sembubuk Kabupaten Kuoro Jambi”.
Bertens, K. 1993. Etika. Jakarta: Grame-dia Pustaka Utama.
Dalyono, Saleh, 1996. Kesenian Tradisi-onal Palembang Teater Dulmuluk.
Endraswara, Suwardi. 2011. Metode Pembelajaran Drama (Apresiasi, Ekspresi, dan Pengkajian). Yogya-karta: PT Buku Seru.
Haryanto. 2005. Kekuasaan dan Kedudu-kan. Yogyakarta: Kanisius.
Harymawan. 1988. Dramaturgi. Ban-dung: CV Rosda.
Hasanudin, WS. 2009. Drama dalam kar-ya dua dimensi. Bandung: Angkasa.
Heddy Shri Ahimsa Putra. 2006. Struk-turalisme Levi-Strauss, Mitos dan Karya Sastra. Yogyakarta: Kepel Press.
Joseph, Murphy. 2002. Rahasia Kekuatan Pikiran Bawah Sadar. Jakarta: Spektrum.
Kernodle, George dan Portia kernodle, 1978. Invitation to the thater, second edition, new york: Har-court, brance dan world, inc.
Pradopo, Rachmat Djoko. 1987. Peng-kajian Puisi. Yogyakarta: Gadjah Mada University Press.
Radcliffe-Brown, A.R. 1980. Struktur dan Fungsi Dalam Masyarakat Pri-mitif, terj. E.E. Evans-Pritchard dan Fred Eggan, Kuala Lumpur: Dewan Bahasa dan Pustaka.
Rendra, WS. 1993. Seni Drama Untuk Re-maja. Jakarta: PT. Pustaka Jaya.
Risnawati dan Ghufron. 2010. Teori –Teori Psikologi. Yogyakarta: Ar-ruzz Media.
Robert, A. Dahl. 1978. Kekuasaan Pemi-mpin. Terj.Ramasari. Bandung: Cipta Buana.
Sahid, Nur. 2004. Semiotika Teater. Yog-yakarta: ISI Yogyakarta.
Saleh, Abdullah dan Dalyono. R. 1996. Kesenian Tradisional Palembang Teater Dulmuluk. Palembang: Kantor Departemen Pendidikan dan Kebudayaan Kotamadia Pa-lembang.
Samsuri. 1991. Analisis Bahasa. Jakarta: Erlangga.
Saputra, Puji. 2007. Legenda Gunung Se-meru. Yogyakarta: Pustaka Pela-jar.
Satoto, Soediro. 1998. “Tokoh dan Peno-kohan dalam Caturlogi Drama Orkes Madun karya Arifin A Noer”.Disertasi Doktor dalam Il-mu Budaya Universitas Indone-sia.
DOI: http://dx.doi.org/10.26887/bcdk.v3i1.541
Refbacks
- There are currently no refbacks.
Bercadik: Jurnal Pengkajian dan Penciptaan Seni 
E-ISSN: 2807-3622, P-ISSN: 2355-5149 | DOI: 10.26887/bcdk.
Website: http://journal.isi-padangpanjang.ac.id/index.php/Bercadik/index
Email: bercadik@gmail.com | bercadik@isi-padangpanjang.ac.id
Editor in Chief: Dr. Dede Pramayoza | Managing Editor: Saaduddin, M.Sn
Publisher: Program Pasca Sarjana ISI Padangpanjang
Jalan Bahder Johan Padangpanjang 27128
Phone: (0752) 82077, Fax: (0752) 82803
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.