Ekspresi Keni Gayo Sebagai Ide Penciptaan Kriya Interior

Mustakim Mustakim, Niko Andeska, Sartika Br Sembiring

Abstract


Keni Gayo is a cultural tool of the Gayo people in the form of artwork made of clay, Keni Gayo was originally used by the Gayo people in marriage ceremonies, as one of the equipment that will be carried by the bride to the groom's place, as an eye sign for the groom's colleagues and relatives. The craftsman elevates the form of Keni Gayo into the creation of interior crafts because this water reservoir as well as traditional cultural tools belonging to the Gayo people has a function and meaning for the Gayo people. The method used in this work is through several flow methods, namely Pre-Design, Design, Embodiment and Presentation. The realization of work using wood media finishing or finishing using a melamine system. The concept in making this work is the concept of symbolic expression is a modern art form by utilizing traditional idioms as a basic element of its composition, the use of idioms contextually has been reduced due to the process of processing artists in interpreting forms symbolically. The presence of the meaning of tradition is no longer as a thematic pouring of ideas but as a textual symbol offered by artists, to provide freedom of interpretation. The embodiment of this final project work the artist made a form of visualization of keni Gayo using wood media with carving techniques. The work is a two-dimensional and three-dimensional work with different shapes and almost the same color. The number of works worked on is in the form of six works, four two-dimensional works and two three-dimensional works.


Keywords


Keni gayo; Expression; Interior crafts

References


Alfajrianur, Rahmad. 2021.

Kande sebagai ide penciptaan lampu hias. Banda Aceh : Jurusan seni Rupa dan Desain Institut Seni Budaya Indonesia Aceh.

Alwi, Hasan, Dendy Sugono, dkk. 2002. Kamus Besar Bahasa Indonesia, Jakarta: Balai Pustaka.

Awaludin. 2018.Keni labu sebagai ide pembuatan lampu hias. Padang Panjang: Fakutas Seni Rupa & Desain.

Husen, Hendriyana.2018. Metodologi Penelitian Penciptaan Karya. Bandung: Sunan Ambupress

Ishaq. 2018 keberadaan Keni Gayo yang hampir punah ditelan masa. Dalam Jurnal Online Jurnal of Cultural Studies.Vol, 4, No.18:124

Kartika, Dharsono Sony. 2016. Kreasi Artisik. Karanganyar: Citra sains

Kartika, Dharsono Sony.2017. Seni rupa Modern. Bandung: Rekayasa Sains.

Nasution. Miftah. 2018. Keni Gayo, Jejak Peningalan Masa Lalu Urang Gayo Dalam Jurnal Badan Pelestarian Nilai Budaya Aceh. Vol, 12. No.6.

Sumartono. 1992, Orisinalitas Karya Seni Rupa dan Pengakuan Internasional, dalam SENI Jurnal Pengetahan dan Penciptaan Karya Seni, II/02, BP ISI Yoyyakarta: Yogyakarta.

Susanto, Mikke. 2011. Diksi Rupa Kumpulan Istilah dan Gerakan Seni Rupa. Edisi Revisi. Yogyakarta: Dictiar Lab, Yogyakarta & Jagad Art Space, Bali.

Tana. Deri. 2023. Tradisi Petik Laut Sebagai Sumber Ide Pembuatan Motif Batik Tulis Khas Kabupaten Situbonda Dalam Jurnal Journal of Language Literature and Art. Vol. 3. No. 6:839

Wirda. 2019. Keni Gayo Kerajinan Warisan Budaya Tak Benda Dalam Jurnal Badan Pelestaria Nilai Budaya Aceh. Vol. 13. No.8.




DOI: http://dx.doi.org/10.26887/educraf.v3i2.4445

Refbacks

  • There are currently no refbacks.



EDUCRAF
Email: educraf@isi-padangpanjang.ac.id |  HP: +62 812-6608-2542
Jurnal URL: https://journal.isi-padangpanjang.ac.id/index.php/Ecraft/
Program Studi Pendidikan Kriya, Fakultas Seni Rupa dan Desain
Institut Seni Indonesia Padangpanjang
Jln. Bahder Johan, Kota Padangpanjang, Sumatera Barat – Indonesia. 27128
Telp:(0752) 82077 | Faks: (0752) 82803
Email (Prodi): pdkriya2017@gmail.com
Website: https://www.isi-padangpanjang.ac.id/